Primal Image is a stunning set of recordings that documents only a small portion of Lamb's ongoing sonic explorations. Aside from the sheer beauty of the listening experience, what greatly interests me with Lamb is how he encounters the world through sound. How the world is disclosed through his engagement with it in his particular practice.
Jerry Thompson worked as Walker Evans' principal assistant from 1973 to Evans' death in 1975. In 2016 he released a small book called Why Photography Matters. The following few extracts are striking in that they are applicable to sound and sound recording technology:
"Fox Talbot, and the cohort including Evans and Cartier-Bresson seven decades later, proposed a new kind of epistemology, a new, hitherto impossible way of learning about the world [...] The opposite of Mathema (a model projected to enable understanding), Pathema is an experience passively received: acquiescence to what is seen [...] When a pathema holds sway, the artist will no longer be Master of the Universe. He or she will be instead an attentive observer, a willing participant in, perhaps a servant of, a system larger than that artist's individual, personal, particular needs." (Jerry L. Thompson, Why Photography Matters, p.14-15)
Thompson goes on to speak about how photography is "at its best" when the inner world of the artist and the outer world of the material environment exists in balance, cooperating as in a dialectic: "one side presents a proposition, the other counters in a similar fashion, and on and on as a progressively refined result appears, something neither partner in the dialectic could have produced alone" (p.19).