Inspired by the dense textural work of Penderecki, Ligeti, and the American minimalist tradition, Masses and Parts is a collection of sound pieces that mark the end of a long period of experimentation in computer-based music stretching back to 2002. These ideas were first explored in ealier work for shamisen and computer [2005-2010], and then later through the Otoplexus project [2009-2011] and Systema Naturae [2012-2017]. Other sketches and ideas can be heard in the Signal and Noise playlist. A work-in-progress text here attempts to outline some of the thoughts and ideas surrounding this body of work.
My favoutite piece of this four-part collection is Emerging Lines from Just Intervals which uses a just intonated tuning system for melodic and harmonic exploration. This is inspired by and dedicated to two greats of the American experimental tradition: Pauline Oliveros [1932-2016] and Glenn Branca [1948-2018].