The embodied, tactile process of photochemical filmmaking involves a radically different perspective on how one engages with the material in time and space. An experience, a way of encountering the world, that feels far removed from the digital environment I regularly operate in as a sound designer. The efficient, precise and total control of the computer is replaced by a sense of experimentation (in the truest sense of the word) and adventure, through an interplay of human skill, technology and chance.
Before me a magical process of energy transference unfolded: acoustic energy into optical, kinetic, chemical and back again to re-produce an audible sound signal. It felt like all aspects of the audio chain - recording, developing, editing, treating and playback - were suddenly resonating with a renewed sense of meaning and mystery. In moments like these our private feelings of awe and wonder are stirred as we rediscover the magic inside phenomena we think we are familiar with.
Special thanks to James Holcombe